Showing posts with label fantasy. Show all posts
Showing posts with label fantasy. Show all posts

Wednesday, 3 July 2019

AUTHOR FAVOURITES: THE LOST KING by DEVORAH FOX


Devorah Fox writes historical epic fantasy, sci-fi fantasy and thrillers. She tells me a favourite of her own novels is THE LOST KING (The Bewildering Adventures of King Bewilliam Book 1.)

Devorah has described THE LOST KING as ‘a once-upon-a-time fairy-tale type story for grown-ups. Although there are dragons, wizards, and other mythical elements, it's a literary fantasy, an allegory for contemporary challenges rather than a tale of sword-and-sorcery.’

King Bewilliam is, in an alternative Middle Ages, master of the Chalklands, lord of Bell Castle, and also a part-time dragon slayer. He wakes himself to find a penniless vagrant, reduced to being a humble barbers’ assistant. In his quest to uncover and break the curse that has left him destitute, and regain his kingdom, he journeys to strange lands where he finds adventure, danger, romance... and himself.

Other medieval literary fantasies include, of course, the Lord of the Rings/ Hobbit cycle by J. R. R. Tolkien, T.H. White’s ‘Sword in the Stone’, the Chronicles of Narnia stories by C.S. Lewis and George R. R. Martin’s Game of Thrones books. Many of these have been developed into TV series and films.


Man and monster in ‘Game of Thrones

The king reduced to peasant status amongst his subjects reminded me of ‘A Connecticut Yankee in King Arthur’s Court.’


William Bendix, Sir Cedric Hardwicke and Bing Crosby ‘busy doing nothing’ in the film of ‘A Connecticut Yankee in King Arthur’s Court’ (1949)

I thought I’d take a quick look at a perennial favourite among human fantasy animals: the dragon (with the help of Wikipedia.)
Dragon-like creatures appear in virtually all cultures around the globe, which would indicate either the human imagination creates similar ‘monsters’ regardless of where you are in the world, or that dragons are a folk-memory of real creatures. Or both!
Some anthropologists believe that dragons were created out of a near-universal human fear of snakes.
Others claim that early man conjured up dragons in response to the mysterious fossils/ bones he found littering his world, the remains of dinosaurs and other prehistoric animals. But scholars have pointed out that Scandinavia has many stories of dragons and sea monsters, but has long ‘been considered barren of large fossils.’

The earliest attested dragons resemble giant snakes. Dragon-like creatures are first described in the mythologies of the ancient Near East and appear in ancient Mesopotamian art and literature. Dragons in eastern cultures are usually depicted as wingless, four-legged, serpentine creatures with above-average intelligence.

The word ‘dragon’ comes from the ancient Greek word ‘draconta,’ meaning ‘to watch,’ suggesting that the beast guards treasure, such as mountains of gold coins or gems.
Among many famous dragons are the Hydra that Jason and his Argonauts encountered in Greek mythology; the red and white dragons (representing the British and Saxon populations of 5th Century Britain) that did battle before King Vortigern and the young Merlin in early British legend; the dragon that slew Beowulf, the great legendary hero who has his origins in 6th Century Sweden; and the one that gave St. George such trouble.


The mythical Hydra

Whilst dragons in early legends have wings and could fly, the earliest mention of the ‘fire-breathing’ dragon is unclear. It was certainly a feature of them in European lore of the Middle Ages, when the dragon was given satanic attributes.
It would seem obvious that dragon legends were partly based based on folk knowledge or exaggerations of living reptiles, such as monitor lizards, iguanas, Gila monsters, alligators and crocodiles. 


A monitor lizard
In a scenario straight out of Sir Arthur Conan Doyle’s ‘The Lost World,’ sailors visiting a cluster of remote islands in The Dutch East Indies (what is now Indonesia) c. 1910 reported seeing a monstrous ‘land crocodile.’ Lieutenant Jacques van Steyn van Hensbroek of the Dutch colonial administration investigated. On a volcanic island, wreathed in jungle and mist, he encountered a terrifying sight – a lizard 6 feet long. He killed this creature and sent the skin and several photographs to the Zoological Museum and Botanical Garden at Bogor, Java. It was eventually determined that this was a large species of monitor lizard. But, based on the island where it was discovered, it was soon better known as The Komodo Dragon.

(If that scenario sounds familiar, the Van Hensbroek expedition was an inspiration for the classic 1933 monster movie ‘King Kong,’ pictured below.)



We now know Komodo Dragons reside on the tiny islands of Komodo, Rinca, Flores and Gili Motang, east of Java. Males average 8.5 ft, although the largest verified wild specimen was 10.3 ft long and weighed 166 kg (366 lb), including undigested food. The Komodo dragon has a tail as long as its body, as well as about 60 frequently replaced, serrated teeth that can measure up to 2.5 cm (1 in) in length.


Although this creature is largely shy, there have been rare documented cases of Komodo Dragons attacking, killing and eating humans.


The idea that medieval maps contained the phrase ‘Here be dragons,’ marking unknown and dangerous regions, seems to be a fiction. The Latin ‘Hc Svnt Dracones’ ('here are dragons') does appear on the Hunt-Lennox Globe which dates from c. 1510. This dragon zone is placed on the east coast of Asia, and is possibly a reference to the Komodo Dragon.

REVIEWS of THE LOST KING:

‘Delightful summer reading.’

‘This is a unique story--not the typical medieval heroic fantasy--that is fun to read but also makes you think.’

‘A very gripping novel… most entertaining book… for everyone of all ages.’

‘A terrific story’

‘Engaging.’

‘Witty.’

‘Charming.’

‘Absorbing and compelling.'



Wednesday, 20 June 2018

AUTHOR FAVOURITES: CRAZY GRETA by DAVID HARDY


Acclaimed novelist Dave Hardy  (writing as DAVID HARDY) has written across genres from horror/fantasy to the western. He’s one of many authors who tells me his favourite of his books is his first, CRAZY GRETA.

The setting is 16th Century Europe, a continent wracked by religious wars, violent acts of intolerance such as the St. Bartholomew’s Day Massacre and portents of impending doom. Greta is a tavern keeper in Holland, pushing 40, hard-drinking, bad tempered and sharp-tongued, who just wants to be left alone. But then her world is threatened by forces from (literally) beyond the grave when the dead rise and set out on a campaign of terror, slaughtering everything in their path.

Cast down into Hell still alive, with unlikely allies such as CHRISTOPHER MARLOWE and the ARCHANGEL MICHAEL, armed with a sword and her trusty skillet, Greta does battle with hordes of walking skeletons, demons, imps, and ultimately Satan himself. No one but Greta would be crazy enough to try to conquer Hell!


A 16th Century painting of the Devil

This historical horror/fantasy novel is partly inspired by the paintings of HIERONYMUS BOSCH and PIETER BRUEGEL THE ELDER.

The St. Bartholomew's Day Massacre  in 1572 was a targeted group of assassinations and a wave of Catholic mob violence directed against the Huguenots (French Calvinist Protestants) during the French Wars of Religion. The massacre began on the night of 23rd August (the eve of the feast of Bartholomew the Apostle.) The slaughter spread from Paris across France, lasting several weeks. Estimates for the number of dead vary widely, from 5,000 to 30,000.


An artist’s impression of the St. Bartholomew's Day Massacre 

CHRISTOPHER MARLOWE - also known as KIT - (1564 – 1593) was an English playwright, poet and translator.  Marlowe’s shadowy life – which includes controversial elements to his work, rumours about his associations with spying and heresy and a mysterious, violent death – makes him an irresistible subject for speculation and fictionalising. He’s a fascinating ‘what if’ historical figure. Marlowe was the foremost Elizabethan tragedian of his day.  One can ask: ‘What if he’d lived past his early death at the age of 29? Would he have eclipsed another playwright born in the same year – WILLIAM SHAKESPEARE?’


Christopher Marlowe

Marlowe’s plays include DIDO, QUEEN OF CARTHAGE, TAMBURLAINE THE GREAT (Parts 1 and 2) THE JEW OF MALTA, EDWARD THE SECOND, THE MASSACRE AT PARIS (portraying the events of the St. Bartholomew’s Day Massacre) and DOCTOR FAUSTUS, the first dramatised version of the FAUST legend of a scholar selling his soul to the devil. Marlowe's plays are known for the use of blank verse and their overreaching protagonists.
Although little is known about Marlowe speculative writers and commentators have described him as a spy, a brawler, a heretic, a magician, duellist, tobacco-user and libertine, ‘blasphemous, disorderly… treasonous… irreligious.’
In 1592 Marlowe was arrested in Holland for his alleged involvement in the counterfeiting of coins, presumably related to the activities of seditious Catholics.
In London a warrant was issued for Marlowe's arrest on 18 May 1593. No reason was given for it, though it was thought to be connected to allegations of blasphemy. A manuscript believed to have been written by Marlowe was said to contain "vile heretical conceipts". Ten days later, he was stabbed to death. Whether or not the stabbing was connected to his arrest remains unknown.
There are various accounts of Marlowe's death. In one account he was "stabbed to death by a bawdy serving-man, a rival of his in his lewd love." Others state that Marlowe was killed in a drunken fight.
Scholar Leslie Hotson claimed Marlowe and a man called Ingram Frazier argued over payment of a mysterious bill (now famously known as ‘The Reckoning') exchanging "divers malicious words" which ended in a knife fight. Marlowe snatched Frizer's dagger and wounded him in the head. In the ensuing struggle, Marlowe was stabbed above the right eye and killed instantly. A jury concluded that Frizer acted in self-defence, and he was pardoned.
Others have come up with a variety of murder theories including one that Sir Walter Raleigh arranged the murder, fearing that under torture Marlowe might incriminate him in a religious plot;


Sir Walter Raleigh
or that Queen Elizabeth the First herself ordered his assassination because of Marlowe’s subversive views and conduct.


Queen Elizabeth the first

Naturally there’s also an Elvis-like theory that Marlowe's death was faked and he went on to write for Shakespeare, including writing ‘Hamlet!’
Shakespeare was heavily influenced by Marlowe in his work, as can be seen in the re-using of Marlovian themes in ‘Antony and Cleopatra ‘The Merchant of Venice ‘Richard II’ and ‘Macbeth (DidoJew of MaltaEdward II and Doctor Faustus, respectively.)


William Shakespeare

Reviews of CRAZY GRETA:

‘Witty, tightly written, and bursting with action… great depth and texture.’

‘Brilliant, original and thrilling read! A break-neck thrill ride from start to finish.’

‘If you’re in the mood to be frightened I highly recommend… this book.’