Thursday, 25 July 2019

AUTHOR FAVOURITES: THE BONE HARVEST by DAVID EDGERLEY GATES


DAVID EDGERLEY GATES writes thrillers, spy stories and ‘noir’ westerns. He tells me a favourite of his own works is THE BONE HARVEST, second in a series of ‘Cold War’ books. He says: ‘I knew going in that THE BONE HARVEST would be about the nuts and bolts - the gear, the manpower, the physical resources – what it takes to mount an actual spy operation.’

During the Soviet invasion of Afghanistan American military intelligence op Dix Apodaca tangles with a KGB colonel; also the Afghan resistance, Pakistani security services, drug and gun runners and rivals in the intelligence community, in a shifting landscape of betrayal.

The Soviet invasion of Afghanistan is not within my area of expertise so I’ve leaned on Wikipedia for the following:
The Soviet–Afghan War lasted from December 1979 to February 1989.
The Afghan government, having secured a treaty in December 1978 that allowed them to call on Soviet forces, repeatedly requested the introduction of troops into Afghanistan in 1979. They wanted them to provide security and to assist in the fight against the mujaheddin rebels. With a deteriorating security situation, large numbers of Soviet troops began to land in Afghanistan's capital, Kabul, on December 25th, 1979.


Soviet troops in Afghanistan
Insurgent groups known collectively as the mujahideen, as well as smaller Maoist groups, fought a guerrilla war against the Soviet Army and the Democratic Republic of Afghanistan government, mostly in the rural countryside. The mujahideen groups were backed primarily by the United States, Saudi Arabia, and Pakistan, making it a Cold War proxy war.


Mujahideen fighters Afghanistan 1985

Many nations since the time of ALEXANDER THE GREAT have intervened in Afghanistan but have been repeatedly defeated by the tenacity of the defenders and the difficulties of the terrain. The same fate befell the Soviet Union.


A statue of Alexander the Great
The Soviet Army of 1980 was trained and equipped for large scale, conventional warfare in Central Europe against a similar opponent, i.e. it used armoured and motor-rifle formations. This was notably ineffective against small scale guerrilla groups using hit-and-run tactics in the rough terrain of Afghanistan.
The Russians used large-scale offensives against Mujahideen strongholds, such as in the Panjshir Valley, which temporarily cleared those sectors but killed many civilians in addition to enemy combatants. Once the Russians did engage the enemy in force, they failed to hold the ground by withdrawing once their operation was completed. The killing of civilians further alienated the population from the Soviets.

Civilian casualties in the conflict were appalling. Between 562,000 and 2 million civilians were killed and millions of Afghans fled the country as refugees.
The promotion of MIKHAIL GORBACHEV to General Secretary of the Soviet Union in 1985 and his 'new thinking' on foreign and domestic policy was likely an important factor in the Soviets' decision to withdraw.


Mikhail Gorbachev
The first step of the Soviet Union's exit strategy, beginning in 1985, was to transfer the burden of fighting the mujahideen to the Afghan armed forces, with the aim of preparing them to operate without Soviet help. Soviet forces continued withdrawing until the final troop withdrawal on February 15, 1989. This left the government forces alone in the battle against the insurgents, which continued until 1992 when the former Soviet-backed government collapsed.
Officially the Soviet forces lost 14,453 killed whilst Mujahideen losses included 57,000 killed.

The Soviets' failure in the war (which is sometimes described as the Soviet Union’s Vietnam War) is thought to be a contributing factor to the fall of the Soviet Union. 
Movies that feature this conflict include:
‘RAMBO 3’ (1988) with SYLVESTER STALLONE. It originally ended with the statement: ‘This film is dedicated to the brave Mujahideen fighters of Afghanistan.’ 
‘THE BEAST’ (1988) about the crew of a Soviet T-55 tank during this conflict (below.)


The 1987 JAMES BOND movie ‘THE LIVING DAYLIGHTS’ with TIMOTHY DALTON as Bond (below.)


5 Star REVIEW of THE BONE HARVEST: ‘Very enjoyable. Can’t wait for his next book.'


Thursday, 18 July 2019

AUTHOR FAVOURITES: BLAZE! A SON OF A GUN by STEPHEN MERTZ


Stephen Mertz writes thrillers (sometimes with a political tinge) as well as westerns.

He tells me BLAZE! A SON OF A GUN is a favourite of his own works. It’s ninth in a series of westerns with the same leading characters – J.D. and Kate Blaze – written by a variety of different authors. J.D. and Kate are two of the deadliest gunfighters in the Old West. They also happen to be husband and wife.

They set off in pursuit of the Ludlow brothers, a trio of crazed and vicious outlaws wanted by the Pinkertons, and trail them to a deserted Arizona ranch. They’re ready for the unexpected – but not running into a young gunfighter who claims to be J.D.’s son! This same young man has troubles of his own: a ruthless cattle baron and a gang of bloodthirsty nightriders on his trail.

Here’s ALAN PINKERTON, head of the Pinkerton Detective Agency, with President ABRAHAM LINCOLN.


Real outlaw hide-outs included the ranch run by the BASSETT sisters – ANN and JOSIE – at Brown’s Hole (now Brown’s Park) on the Utah/ Colorado border.




Ann Bassett

Others were Robbers Roost in Utah


and Hole-in-the-Wall in Wyoming.


All were frequently used as hide-outs by BUTCH CASSIDY and his Wild Bunch in the 1890s.

Before then, Brown’s Hole was frequented by less well known outlaw bands such as the TIP GAULT Gang, the TOM CROWLEY Gang, the ‘MEXICAN JOE’ HERRERA Gang, the ‘DOC’ BENDER Gang, the MCCARTY  Gang and others. 

Rancho Notorious’ was a 1952 movie featuring a ranch used as a headquarters by outlaws.


Arthur Kennedy, Marlene Dietrich and Mel Ferrer in ‘Rancho Notorious.

REVIEWS of ‘BLAZE’ A SON OF A GUN:

‘Pure pulp joy. Its plot is simple, linear and well executed.’

‘Blaze at its best.' 


Wednesday, 10 July 2019

AUTHOR FAVOURITES: BLAZE #1 by STEPHEN MERTZ

Stephen Mertz writes thrillers (sometimes with a political tinge) as well as westerns. He tells me BLAZE! is a favourite of his own works. It’s the first in a series of westerns with the same leading characters – J.D. and Kate Blaze – written by a variety of different authors.

J.D. and Kate Blaze are two of the deadliest gunfighters in the Old West. They also happen to be husband and wife. J.D. and Kate find themselves facing a deadly ambush by Apaches, then they're hired to track down a gang of outlaws led by the beautiful, ruthless bandit queen Rosa Diablo.

I’ve yet to find an instance of a female gunfighter in the Wild West; although there were a rare few female law officers like FIONA MAE MILLER, the one female Deputy US Marshal in the Indian Nations (what is now Oklahoma.) The ‘Fort Smith Elevator’, in its November 6, 1891 issue, described Fiona as: ‘A dashing brunette of charming manners... an expert shot and a superb horsewoman, and brave to the verge of recklessness.’

There were, however, a number of female outlaws. Some of them resided in Oklahoma between the 1860s and the 1890s, and associated with various members of the Doolin, Dalton and Younger gangs. This included BELLE STARR, (killed in mysterious circumstances in 1889) ROSE DUNN, the ‘Rose of the Cimarron,’ ‘Cattle Annie’ and ‘Little Britches’ (ANNIE MCDOUGAL and JENNIE STEVENS) and FLORENCE QUICK. I’ve blogged about Belle Starr here: https://andrewmcbrideauthor.blogspot.com/2018/03/author-favourites-poachers-daughter-by.html



Rose Dunn

There was also ‘Cattle Kate’ (ELLA WATSON) described ‘as a dark devil in the saddle, handy with a 6-shooter and a Winchester, and an expert with a branding iron.’ Accused of cattle-rustling, she was lynched by Wyoming vigilantes in 1889.

And then there was Canadian-born PEARL HART, who carried out the last stage robbery in U.S. history, robbing a stage outside Globe, Arizona in 1899 – and later serving time in Yuma Prison for it.


Back in the heyday of the western, movies and TV shows were lucky enough to have plenty of feisty actresses to portray women handy with a gun, on both sides of the law.

For example, in Roger Corman’s enjoyably bad ‘Gunslingers’ (1956) terrific BEVERLY GARLAND was cast as the widow of a marshal who takes over his job when he’s murdered. She said, ‘I think I was the first woman to play a marshal in a movie western.’


Beverly crossed to the other side of the law when she portrayed Pearl Hart in an episode of ‘Tales of Wells Fargo.’


Other straight-shooting females, good girls and bad, include JANE RUSSELL as Calamity Jane in ‘The Paleface’ with BOB HOPE, JANE FONDA in ‘Cat Ballou,’ JOAN CRAWFORD in ‘Johnny Guitar,’ BARBARA STANWICK in ‘The Maverick Queen’ and RAQUEL WELCH in ‘Hannie Caulder’ (below.)


Actresses like MARIE WINDSOR, JEAN WILLES and ISABEL JEWELL also gave spirited performances as western women on both sides of the law.

Mexican bandit women tended to be played by such actresses as BARBARA LUNA and MARIE GOMEZ (pictured below in ‘Barquero.’)


SARA VARDI gave a tremendous performance as the girlfriend of bandit El Lobo in ‘The High Chaparral’ episode ‘The Covey.’


Henry Darrow and Sara Vardi in ‘The High Chaparral

More recently we’ve had women-led western such as ‘Bad Girls’ and the Netflix TV series ‘Godless.’


Drew Barrymore, Mary Stuart Masterson, Andie MacDowell and Madeleine Stowe in ‘Bad Girls’ (1994)

And SHARON STONE portrayed a female gun fighter in a pastiche of Clint Eastwood in ‘The Quick and the Dead (1995.)’


REVIEWS of ‘BLAZE’:

‘A terrific kick-off to the series. Mertz… writes action scenes like nobody's business … It's a real gem. If you like gritty, fast-paced Westerns seasoned with sexy romps, don't miss this one.’

‘Packaging well-developed characters with a perfect mix of tangled action, burning passion, subtle humor, and, always a surprise around the corner.’

‘A grand finale written with cinematic crispness.’

‘Great read, fantastic pace.’ 




Wednesday, 3 July 2019

AUTHOR FAVOURITES: THE LOST KING by DEVORAH FOX


Devorah Fox writes historical epic fantasy, sci-fi fantasy and thrillers. She tells me a favourite of her own novels is THE LOST KING (The Bewildering Adventures of King Bewilliam Book 1.)

Devorah has described THE LOST KING as ‘a once-upon-a-time fairy-tale type story for grown-ups. Although there are dragons, wizards, and other mythical elements, it's a literary fantasy, an allegory for contemporary challenges rather than a tale of sword-and-sorcery.’

King Bewilliam is, in an alternative Middle Ages, master of the Chalklands, lord of Bell Castle, and also a part-time dragon slayer. He wakes himself to find a penniless vagrant, reduced to being a humble barbers’ assistant. In his quest to uncover and break the curse that has left him destitute, and regain his kingdom, he journeys to strange lands where he finds adventure, danger, romance... and himself.

Other medieval literary fantasies include, of course, the Lord of the Rings/ Hobbit cycle by J. R. R. Tolkien, T.H. White’s ‘Sword in the Stone’, the Chronicles of Narnia stories by C.S. Lewis and George R. R. Martin’s Game of Thrones books. Many of these have been developed into TV series and films.


Man and monster in ‘Game of Thrones

The king reduced to peasant status amongst his subjects reminded me of ‘A Connecticut Yankee in King Arthur’s Court.’


William Bendix, Sir Cedric Hardwicke and Bing Crosby ‘busy doing nothing’ in the film of ‘A Connecticut Yankee in King Arthur’s Court’ (1949)

I thought I’d take a quick look at a perennial favourite among human fantasy animals: the dragon (with the help of Wikipedia.)
Dragon-like creatures appear in virtually all cultures around the globe, which would indicate either the human imagination creates similar ‘monsters’ regardless of where you are in the world, or that dragons are a folk-memory of real creatures. Or both!
Some anthropologists believe that dragons were created out of a near-universal human fear of snakes.
Others claim that early man conjured up dragons in response to the mysterious fossils/ bones he found littering his world, the remains of dinosaurs and other prehistoric animals. But scholars have pointed out that Scandinavia has many stories of dragons and sea monsters, but has long ‘been considered barren of large fossils.’

The earliest attested dragons resemble giant snakes. Dragon-like creatures are first described in the mythologies of the ancient Near East and appear in ancient Mesopotamian art and literature. Dragons in eastern cultures are usually depicted as wingless, four-legged, serpentine creatures with above-average intelligence.

The word ‘dragon’ comes from the ancient Greek word ‘draconta,’ meaning ‘to watch,’ suggesting that the beast guards treasure, such as mountains of gold coins or gems.
Among many famous dragons are the Hydra that Jason and his Argonauts encountered in Greek mythology; the red and white dragons (representing the British and Saxon populations of 5th Century Britain) that did battle before King Vortigern and the young Merlin in early British legend; the dragon that slew Beowulf, the great legendary hero who has his origins in 6th Century Sweden; and the one that gave St. George such trouble.


The mythical Hydra

Whilst dragons in early legends have wings and could fly, the earliest mention of the ‘fire-breathing’ dragon is unclear. It was certainly a feature of them in European lore of the Middle Ages, when the dragon was given satanic attributes.
It would seem obvious that dragon legends were partly based based on folk knowledge or exaggerations of living reptiles, such as monitor lizards, iguanas, Gila monsters, alligators and crocodiles. 


A monitor lizard
In a scenario straight out of Sir Arthur Conan Doyle’s ‘The Lost World,’ sailors visiting a cluster of remote islands in The Dutch East Indies (what is now Indonesia) c. 1910 reported seeing a monstrous ‘land crocodile.’ Lieutenant Jacques van Steyn van Hensbroek of the Dutch colonial administration investigated. On a volcanic island, wreathed in jungle and mist, he encountered a terrifying sight – a lizard 6 feet long. He killed this creature and sent the skin and several photographs to the Zoological Museum and Botanical Garden at Bogor, Java. It was eventually determined that this was a large species of monitor lizard. But, based on the island where it was discovered, it was soon better known as The Komodo Dragon.

(If that scenario sounds familiar, the Van Hensbroek expedition was an inspiration for the classic 1933 monster movie ‘King Kong,’ pictured below.)



We now know Komodo Dragons reside on the tiny islands of Komodo, Rinca, Flores and Gili Motang, east of Java. Males average 8.5 ft, although the largest verified wild specimen was 10.3 ft long and weighed 166 kg (366 lb), including undigested food. The Komodo dragon has a tail as long as its body, as well as about 60 frequently replaced, serrated teeth that can measure up to 2.5 cm (1 in) in length.


Although this creature is largely shy, there have been rare documented cases of Komodo Dragons attacking, killing and eating humans.


The idea that medieval maps contained the phrase ‘Here be dragons,’ marking unknown and dangerous regions, seems to be a fiction. The Latin ‘Hc Svnt Dracones’ ('here are dragons') does appear on the Hunt-Lennox Globe which dates from c. 1510. This dragon zone is placed on the east coast of Asia, and is possibly a reference to the Komodo Dragon.

REVIEWS of THE LOST KING:

‘Delightful summer reading.’

‘This is a unique story--not the typical medieval heroic fantasy--that is fun to read but also makes you think.’

‘A very gripping novel… most entertaining book… for everyone of all ages.’

‘A terrific story’

‘Engaging.’

‘Witty.’

‘Charming.’

‘Absorbing and compelling.'