Monday, 25 November 2024

Read a SAMPLE CHAPTER of MEXICAN by ANDREW McBRIDE

 


I’m very happy to announce my ninth novel – and ninth western novel – MEXICAN SUNSET has been published by Andride Press. It was published as an e.book on September 17 2024 and as a paperback on October 15 2024.

The cover (from an Adobe Stock image, design by Richard Hearn) reflects the novel’s setting – southern Arizona and the Sierra Madre mountains of Sonora, Mexico.

MEXICAN SUNSET is the ninth in my series acclaimed western novels featuring the same central character, CALVIN TAYLOR (sometimes known as ‘CHOCTAW,’ although he’s not an Indian.)  It is a stand-alone novel. However, in it Calvin Taylor is taking stock of his life and does refer back to earlier adventures, particularly those recounted in THE PEACEMAKER. But you don’t need to have read any other Andrew McBride books to appreciate and enjoy MEXICAN SUNSET.




I wanted the book to have an elegiac, end-of-the-west feel, as captured in films like ‘The Wild Bunch,’ where the real frontier Old West is already being overtaken by legends and folklore, as represented by the Dime Novels and the ‘Wild West shows’ that proliferated in the late 19th Century.


'The Wild Bunch' (1969)

BLURB:

1886. Geronimo and the last band of Apache hold-outs have surrendered. The Indian Wars in the United States are over. Which poses a problem for Calvin Taylor: what does an Indian scout do when there are no more hostile Indians to track down? Taylor can use the skills he’s learned to hunt down lawbreakers of all races, working as a hired gun on a fading frontier; or help mark the passing of that frontier by becoming a celebrity in a Wild West Show, a living museum piece.

Instead he decides to go to Mexico and join the Mexican Army, who have their own Apache hold-outs to conquer: the mysterious renegades known as ‘The Nameless Ones,’ hiding deep in the Sierra Madre. He’s also on a quest to find the woman he loved and drove away, who may be hiding with them, and perhaps heal his empty life that way.

As he climbs into the grim and forbidding mountains Taylor faces violence and danger not only from Apaches, but also from an unexpected enemy: a ruthless and cunning bandit known as ‘The Scorpion,’ who is after the same woman, for twisted reasons of his own. Only he intends to kill her…

What do you think? Feel free to comment (and on the sample chapter too.) All feedback very much appreciated!

ISBN Number: 979-8341014213

You can BUY MEXICAN SUNSET on the usual sites, such as Amazon.com. Find the ebook here https://www.amazon.com/Mexican-Sunset-Andrew-McBride-ebook/dp/B0D8XLQ81Z?ref_=ast_author_mpb and the paperback here https://www.amazon.com/Mexican-Sunset-Andrew-McBride/dp/B0DK4LF6Q7/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=&sr=


REVIEWS

MEXICAN SUNSET already has one rating – 5 star! As reviews accumulate, I’ll created a blog as an ongoing scrapbook of them.

SAMPLE CHAPTER

To give you a flavour of the novel, a SAMPLE CHAPTER - CHAPTER THREE - follows.

THE SETTING: Arizona Territory 1886. The central character of the novel is Indian scout CALVIN TAYLOR. Taylor is present when the last hostile Indians in the United States – Chiricahua Apache hold-outs led by GERONIMO and NACHAY – surrender to the U.S. Army, commanded here by GENERAL NELSON MILES. Miles begins the process of transporting the surrendered Indians to the nearest railhead at Fort Bowie, where they’ll be placed on a train to Florida. However, Taylor learns two of Geronimo’s band – a young warrior called BESH and an older man called MACHOGEE - have not surrendered their weapons and have broken away. He suspects they’re still in the vicinity hoping to disrupt the peace, perhaps by ambushing the soldiers and killing Miles himself. Taylor and a friendly Apache scouting for the army, JOSÉ, set out to prevent this…



Four Apaches in 1886, before they surrendered: GERONIMO (2nd from left)  NACHAY – son of COCHISE – (3rd from left)


MEXICAN SUNSET

Chapter Three

 

Late in the afternoon they came to the mouth of Wolf Canyon.

The soldiers set up camp. Cook fires were lit and evening meals prepared – in this army, there were no company cooks, soldiers on campaign were expected to feed themselves.

The Chiricahuas camped a little distance away, lighting their own fires.

Meanwhile, Taylor hunkered down, chewed a piece of jerky and let his eyes wander over his surroundings as unobtrusively as possible.

Wolf Canyon was a narrow, twisting high-sided pass. A dandy place for an ambush.

He glimpsed General Miles, a tall figure in a pith helmet, striding among his troops. Meanwhile soldiers began setting up the general’s tent, which was, naturally, the only tent of any size in this outfit. It was a Sibley, standing pretty close to twelve feet when fully assembled. Lieutenant Gatewood supervised.

Taylor strode over. He told Gatewood, “Lieutenant, if I were you, I’d set the general’s tent up back here.” He jabbed a thumb over his right shoulder, indicating behind him. “Out of rifle range of those canyon walls.”

“What’s up?”

Taylor told him about Besh and Machogee. As he did so José wandered over, his Winchester carbine cradled in his arms.

Gatewood said, “I’d better warn the general.”

Taylor said, “All right, long as you don’t spook him. While you do that, me and José’ll have a look around.” He asked the Apache, “If you were after Bear Coat, where would you put yourself?”

José shrugged.

Gatewood said, “Watch yourself, Taylor.”

Taylor smiled. “I usually do, most times.”

“This isn’t like most times.”

“Uh?”

 “If it comes to fighting, this might be the last scrimmage of the whole American Indian Wars. After fighting Apaches all this time, you don’t want to get killed by the last bullet fired.”

Taylor thought about that. “That would be kind of stupid, wouldn’t it?”

“Good luck.”

José wandered off as if he wasn’t going anywhere in particular.

Taylor chewed jerky he didn’t taste for another minute or so, then strode over to his horse on the picket line. Figuring the renegades might be watching him, the scout pretended to inspect Blue’s feet and hocks. He ducked under the animal’s belly so that he was crouched low among the horses, hidden by them. He hooked his Winchester rifle out of its saddle-scabbard. Then he moved swiftly through and out of the horse herd and half-ran up the nearest slope into cover.

Taylor paused in a clump of mesquite. Maybe Besh and Machogee weren’t watching him and he’d performed a silly pantomime for no reason.

Then again, maybe they were.

The sun was sliding down in the west, shadows capturing the canyon. The sky was in its getting-close-to-sundown colours, mauve turning purple. It was a time of day he liked ordinarily, but not now. There was a load of worry in his guts, the cold rottenness of fear.

He was more scared than he ought to be.

Gatewood’s words had done it. ‘This might be the last scrimmage of the whole American Indian Wars.’ In his mind’s eye, Taylor read a grim epitaph on his tombstone: Survived fifteen years of fighting Apaches, killed by the last bullet fired.

When a turkey gobbled nearby, he almost jumped out of his moccasins.

He told himself: For Christ’s sake. Of course it wasn’t a real turkey, they didn’t gobble this time of day. A turkey call was the signal he’d arranged with José.

He gazed at where the signal had come from, a riot of brush and rocks on the far slope. He strained his eyes looking for José, seeing nothing, and then there he was, standing between two tall boulders. The Apache indicated upslope and behind him. So he was going to scout up there. Taylor gestured that he’d climb upslope on this side.

José vanished. Taylor wiped off the sweat on his hands on his pants and took up his Winchester. He did possess a Colt pistol, but had left it in his saddle bags. If he let a bronco Apache get within short gun range of him, he deserved everything he got.

He began scaling the slope.

The earth was shale and sand, strewn with small rocks and brush, so it was hard work moving quietly, even in his Chiricahua moccasins, with their soles stuffed with grass. He took his time about it, pausing and listening frequently. He passed through tangled thickets of mesquite and palo verde trees. By then the sun had almost set. Only its topmost rim showed, a pale golden glow above the western horizon. The land around him was rapidly darkening, pearly light fading, and shadows claiming everything.

As there was no sense in blundering about blindly, Taylor held still and listened.

He strained his ears until he thought they’d hurt. Hearing sundown noises. Birdsong. A coyote letting loose a long howl. Squirrels chittering. A horned owl hooing. The belch-like croak of a red-spotted toad.

So far, so normal.

And then one sound that wasn’t.

The rattle of a stone clattering down slope.

Unlikely any animal had made that noise. But a human, however careful, was too heavy-footed to move as silently as a critter of the night.

There was a man moving on the slope above him.

Taylor eased his fingers on the rifle he held, discovering they ached from gripping the Winchester so tightly. Fear was in him now, in the usual places: a lump of ice in his belly, a dry tightness in his throat, a faint dizziness, a slight trembling in his arms. A feeling he’d known – how many times?

Too many.

Taylor went back to listening hard. He detected other small, out-of-place noises, the disturbing of small stones perhaps, and tracked them. They seemed to be moving above him and to the left. There was a flash of movement, streaking through the near dark: a squirrel fleeing downslope, away from some threat.

The barrel of the rifle Taylor held gleamed, catching the light of the Apache moon, nearly full, on a sky deepening from indigo to black. He drew the rifle barrel back from moonlight into shadow.

He listened some more. And heard nothing. The man above him was holding still.

Taylor decided it was his turn to move.

And do it quietly through dim light and over tricky ground.

Reluctantly, he began to climb the slope.

Straight off, he almost made a mess of it. He slipped and his knee splashed into shale. But he was lucky; a coyote yarred only an instant later and masked most of the noise he made.

Or so he hoped.

Taylor climbed higher, moving from one piece of cover to another. He went as quietly as he could, and he’d learned to move very quietly indeed. For all that he seemed to make enough racket, crunching over loose ground, to fill Arizona.

Then he was almost at the crest. Another few yards and he’d be outlined against the sky. And he didn’t want that.

So he paused there, hunkered down. He wiped more sweat off the palms of his hands on his pants, and studied the ground below him.

Slopes choked in brush and low trees, their black limbs making bars across the pale earth, blotched with shadow. A tessellated pattern of black and pearl. He couldn’t see José. Or anybody.

For all that, his senses were telling him something down there was out of place.

After a time his attention settled on an unusual patch of greyness on the earth, under some bent-low mesquite bushes.

Taylor stared at this greyness until his eyes started to ache. By then he thought he’d worked out what he was looking at.

A man was lying there, face down, sighting along a rifle barrel. Someone with long grey hair reaching past his shoulders,

Machogee.

Taylor got down between rocks, pulling the butt of the Winchester into his shoulder, aiming at the sprawling man, dividing the grey hair with the front sight of his rifle. He thought: Got you, you son of a bitch.

His finger started its squeeze.

There was a small sound in his right ear. Behind and above him.

Taylor spun over. A piece of the darkness above him moved forward, partly into moonlight, and became a man.

Crouched like a panther on a jutting ramp of ground. A dark face split by a horizontal band of white paint, slashing the cheeks from ear to ear. A knife gleaming in his right hand.

Besh!

The Apache sprang.

As the Indian plunged down on him, Taylor kicked out.

By luck his foot caught Besh under the left side ribs and hooked him into the air. Besh somersaulted forward and crashed down on brush and rubble. Taylor lunged at him, was kicked in the stomach in return and did his own forward somersault. Landing drove all the air out of his lungs.

Both men were slow rising. But the Apache was quicker than his enemy. He was a tough bastard, bouncing back after a fall like that. Taylor was still on his knees, looking around for his rifle, when Besh was on his feet, the knife in his hand. He lunged at his enemy.

He grunted “Zas – tee!” (Kill!)

Taylor rose to meet the other’s charge. He grabbed for the man’s knife wrist, missed, and felt the fire of pain along his left forearm. He gasped. Taylor sprang back, feeling the knife snatch at his shirt front. A rock caught him behind his heel and he fell backwards. Twisting, he landed on his side. Carried by momentum, Besh spilled over him, ploughing to his knees. He started to scramble up.

Taylor launched himself across space, landing on Besh’s back. But the Apache twisted, hooking an arm behind Taylor’s head, going to one knee and yanking the white man forward. He tossed Taylor over his right shoulder like a feed sack. Taylor somersaulted headlong and came down on his back. He seemed to land on every rock in Arizona.

He lay stunned.

Surely a fall like that had broken his spine?

He gazed at the night sky. It was a restless sky, scattered with stars that shifted about, changing places with each other. He wished they’d quit doing that.

Taylor seemed to ache from the back of his neck to the soles of his feet. He was completely immobile, without an ounce of strength, no air left in his lungs, pretty much every bone broken. Each time he’d tried wrestling with Besh he’d ended up like this, flat on his back in the dust.

Maybe he couldn’t beat this man in a hand-to-hand fight.

Why hadn’t Besh closed in and finished him off?

Taylor attempted to lift his head and surprised himself. He managed it. Besh stood a dozen yards away, glancing around. Taylor made another surprising discovery. He could still think: he worked out the Apache was looking for his knife, or Taylor’s rifle, or another weapon.

The white man told himself: you can lift your head up, you lazy son of a bitch, see what else you can raise off the ground.

Somehow he managed to sit up. Next he struggled to his knees.

Besh bent to the earth, straightened and turned towards his enemy, the knife in his hand. He braced himself, ready to charge.

Taylor glimpsed movement in the tail of his left eye. He turned his head and glanced at the long slope behind and below him. A man thrust forward into view.

Machogee with his rifle raised, butt to his shoulder.

The Apache aimed; Taylor found himself looking into the muzzle of the weapon.

Machogee pitched headlong, throwing his rifle ahead of him. It clattered on stones.

There was the sound of a shot.

While Taylor stared at the fallen man Besh yelled, “Zas-tee!” He charged his enemy.

Taylor plunged his hands wrist-deep in shale and came up with both hands full. As Besh leaped at him, he flung a hail of stones into the Apache’s face. Besh cried out and lifted his arms to shield his eyes. With absolutely the last of his strength, Taylor sprang at his opponent.

The white man bore the Indian to the ground, sprawling over him. The knife was in the Apache’s hand, trapped between them. Taylor got both hands to the Indian’s hand, turning the blade he held downwards so the point rested on the centre of Besh’s chest.

Taylor pressed down, leaning his full weight on the back of his hands. His body weight drove the blade into the Apache’s chest, all the way to the guard. Besh groaned; then his mouth filled with blood. It came out of both sides of his mouth, and his nose. The dying man kicked and writhed below the living one. Then his movements slowed, and the rattle started in his throat.

White man and Indian lay together like spent lovers. Then Taylor, conscious of how much blood was soaking through his shirt, found the strength to roll aside.

José approached, rifle in hand.

The Apache gazed at the white man in alarm. “You hurt?”

Taylor shook his head. The Indian still looked doubtful; Taylor realised that was because of the blood all over his shirt. He said, “This ain’t mine.” But then the long cut on the underside of his left forearm reminded him that wasn’t the whole truth. It burned like hell. He asked, “You get Machogee?”

“He’s one of the nameless ones.”

Which meant yes. Apaches were forbidden from saying the names of the dead, unless in exceptional circumstances. Taylor said, “You saved my life. Gracias.”

José gave a small, don’t-mention-it shrug. “You seemed to be having a time of it.”

“With-?”

 Just in time, Taylor stopped himself from saying the name of the man he’d killed. He gazed at Besh, lying face up in the moonlight, the haft of the knife standing straight up in the middle of his chest.

Taylor said, “He was better at wrestling than me.”

“You won.”

“I fought dirty.”

José made a sarcastic noise at this strange concept of the white man. “He’s the one who’s dead.”

Wearily Taylor rose to his feet. “We better report back to Long Nose. Let’s hope that rifle shot didn’t spook the Chiricahuas.”

It hadn’t. Gatewood listened gravely as Taylor described what happened. Then the soldier said, “Maybe that’s your place in the history books.”

“Huh?”

 “Don’t you realise? You might be the last man to shed blood in these whole American Indian Wars.” Long Nose smiled ironically. “Close to three hundred years of killing, and it all ends with you, Taylor.”

****

Find all the Andrew McBride novels – CANYON OF THE DEAD, DEATH WEARS A STAR, DEATH SONG, THE ARIZONA KID, SHADOW MAN, THE PEACEMAKER, COYOTE’S PEOPLE, CIMARRÓN and MEXICAN SUNSET – here on Amazon.com: https://www.amazon.com/stores/Andrew-McBride/author/B01N9O1C05?ref=ap_rdr&isDramIntegrated=true&shoppingPortalEnabled=true 

All but CIMARRÓN (only available as a hardback at present) are available as e.books. MEXICAN SUNSET is available as an e.book and a paperback.


Tuesday, 14 November 2023

REVIEW of DANGEROUS by LORRIE FARRELLY

 

Lorrie Farrelly is the award-winning author of not only westerns but romance, time travel, suspense and paranormal books.

Lorrie is a finalist for the Orange Rose Award in romantic fiction. Her novels have been awarded Readers' Favorite 5-Stars. TERMS OF SURRENDER is a MEDALIST in the 2014 READERS' FAVORITE INTERNATIONAL BOOK AWARDS and a FIRST PLACE WINNER in the 2014 LARAMIE AWARDS for Western and Civil War fiction. TIMELAPSE is also a 2014 READERS' FAVORITE INTERNATIONAL BOOK AWARDS honoree, as well as a GOLD MEDALIST in the 2014 AUTHOR'S CAVE BOOK AWARDS. It is the TIME-TRAVEL NOVEL WINNER in the 2014 CYGNUS AWARDS for Sci Fi and Speculative Fiction. Her short story THE LONGEST WAY HOME from A COWBOY CELEBRATION is a Western Fictioneers 2015 PEACEMAKER AWARD winner.

Here is the blurb of Lorrie’s novel DANGEROUS:

‘Dangerously burned-out, ex-LA cop Cam Starrett imagines his new job in a small, central California town will be a haven from the tragedy, grief, and anger that have shattered his heart. His battered soul cries out for peace and quiet and merciful boredom. Instead – during his very first day in the new town – he fires a gun, delivers an unusual baby, and hauls a passionate young woman into his embrace for a kiss of pure, scorching hunger. Shaken, he’s left stunned, perplexed, extremely hot and bothered – but not one bit bored. Despite her training as a school guidance counselor, Meredith Hayden secretly admits that people – especially men – baffle her. Confused and embarrassed by her reckless abandon in the arms of dangerous-looking Cam Starrett, she resolves to keep him at a distance, tempting and torturing them both all the more. But when they uncover an escalating pattern of bigotry and violence that threatens the lives of everyone in the community, Cam and Merry face an ordeal that will test not only the limits of their courage and trust, but also the true depth of their passion.’



And here’s my 4 star review of the novel. You can find the review on the usual sites.

Gritty, fast-paced thriller with aspects of romance

Cam Starrett is an L.A. policeman who has left the big city after one bad experience too many. He’s also nursing a broken heart after the ugly break up of his marriage. He’s given what appears to be the more peaceful job of policing the rural community of Chima Valley, California. But a group of local teenage tearaways led by Denny Johnson turn out to be more than run-of-the-mill juvenile delinquents. They’re young disciples of a white supremacist organisation with a penchant for violent racist attacks. To counter them, Cam finds an unlikely and at first unwanted ally – high school counsellor Merry Hayden. Merry is a young woman also bruised by romantic failure and, like Cam, reluctant to commit to any new relationships. But these two damaged people are forced to work together when the Johnson Gang turn to arson in terrorising Chima Valley; gradually Cam and Merry start committing again. Romantic fiction is not my thing so I was pleased that DANGEROUS is also a punchy, fast-paced thriller. Farrelly shows the grittiness that made previous novels of hers that I’ve read – her western TERMS OF SURRENDER and the excellent dystopian sci-fi/ time-travel novel TIMELAPSE - so enjoyable. And with DANGEROUS she does it again! Highly recommended.’

I thought I’d take a (very) brief look at the history of juvenile delinquency, which I suspect has always been with us. Back in the 6th Century A.D, there were disapproving comments made about the youthful antics of the British bard Taliesin before he matured into one of the great poets of the Dark Ages. The term ‘juvenile delinquent’ was in use in Britain by 1851. J. S. MORE, a professor of civil law said it was ‘next to slavery… perhaps the greatest stain on our country.’ CHARLES DICKENS went further, picturing it as a ‘bog’ and prophesying its ‘seed of evil’ would yield 'a field of ruin… that shall be gathered in, and garnered up, and sown again… until regions are overspread with wickedness enough to raise the waters of another deluge.’ Remarkably, 19th Century Britain managed to survive!

From the beginning of the talkies (and probably before) movies have depicted young tearaways terrorising their elders and betters. In the classic 1931 crime thriller ‘Public Enemy’ we see a young JAMES CAGNEY indulging in juvenile crime before graduating into adult gangsterdom.


In the 1930s HUMPHREY BOGART and others had to deal with wild youngsters like the ‘Dead End Kids.’

Perhaps a key movie in this genre is ‘The Wild One’ (1953) – considered to be the original outlaw biker film. MARLON BRANDO leads a gang of motor-cycle-riding young men and women nicknamed ‘The Beetles.’ The film is based on a 1947 incident when drunken youth on motorbikes ran riot in Hollister, California. The film includes the infamous quote where Brando is asked, “What are you rebelling against?” and he replies, “What have you got?”

(Incidentally it’s sometimes thought the world’s most successful pop/rock band took their name from Brando’s gang. That’s unlikely, as, due to censorship, ‘The Wild One’ was only first shown in Britain in 1974, many years after The Beatles appeared!)


In the mid and late 1950s society was particularly troubled by the perceived threats posed by ‘juvenile delinquents’ – especially in the early days of rock and roll - and this was reflected in popular culture.

ELVIS PRESLEY admitted he copied some of his look from Brando in The Wild One.

Another iconic film is ‘Rebel without a Cause’ where JAMES DEAN represented the disenchanted and rebellious younger generation.

The Blackboard Jungle’ (1955) showed youthful rebellion in the classroom.

West Side Story’ (1961) depicted it in a musical.

It even made its way into the western: in ‘The Plunderers’ (1960) four gun-toting youths take over a small community.


In 1958 MICHAEL LANDON committed perhaps the ultimate act of youthful rebellion. He was so unhappy with the adult world he escaped it by turning into a werewolf!


MICHAEL LANDON in ‘I was a Teenage Werewolf.’

Residents in small towns in California seem to have to deal with particularly challenging issues according to film and TV-show makers. In The Wild One.they’re beset by biker gangs,

in the classic sci-fi movie ‘Invasion of the Body Snatchers’ (1956) it’s an attack by malevolent aliens who ensure no one is quite who they seem,


in ‘The Outer Limits’ episode ‘The Zanti Misfits’ (1963) the town is over-run by homicidal spiders


and the high school kids of ‘Buffy the Vampire Slayer’ (which ran from 1997 to 2003) have to contend with not only vampires but any number of demonic forces.


Referring back to Lorrie Farrelly’s fine novels mentioned in my DANGEROUS review, here’s my blog about TERMS OF SURRENDER:

https://andrewmcbrideauthor.blogspot.com/2020/03/review-of-terms-of-surrender-by-lorrie.html


A snippet of my review:

‘A lot grittier than the description ‘romantic fiction’ would indicate… Perhaps the best aspect of this excellent novel is how the trio of brother, sister and damaged stranger bond against their enemies, while Farrelly’s writing skills provide the necessary edge. Recommended.'

Other reviews:

‘Descriptions are evocative and compelling... Readers can expect to find humor, violence, gritty action, and exquisitely-wrought tension throughout… (This) is for readers who seek more depth and layers in their stories.’

‘Another beautifully crafted tale by Lorrie Farrelly… a mixture of passion and nail-biting suspense.’

 ‘I remained captivated by superb characterization and narrative.’

 And my blog about TIMELAPSE:

https://andrewmcbrideauthor.blogspot.com/2017/09/author-favourites-timelapse-by-lorrie.html


A snippet of my review:

‘An ingenious plot fuels a gripping, fast-paced tale, dystopian sci-fi that also manages to reflect our own troubled times.'

Other reviewers:
‘Lorrie Farrelly is an incredible writer. This is such a remarkable novel… This novel greatly moved me.’
‘Lorrie Farrelly… has done a marvellous job of describing a world gone crazy.’

Find DANGEROUS here:

https://www.amazon.com/Dangerous-Lorrie-Farrelly-ebook/dp/B004QWZ8I2/ref=sr_1_1?crid=Y5L2TUY49O67&keywords=dangerous+lorrie+farrelly&qid=1699794563&s=digital-text&sprefix=dangerous+lorrie+farrelly%2Cdigital-text%2C134&sr=1-1

and here:

https://www.amazon.co.uk/Dangerous-Lorrie-Farrelly-ebook/dp/B004QWZ8I2/ref=sr_1_1?crid=1NIYWUNLJAVVX&keywords=dangerous+lorrie+farrelly&qid=1699794640&s=digital-text&sprefix=dangerous+lorrie+%2Cdigital-text%2C64&sr=1-1

Monday, 15 May 2023

Review of STAND AND DELIVER by PHILIP CAVENEY

 In a departure from what I normally blog about, this is a review of a novel for Young Adults, STAND AND DELIVER, written by PHILIP CAVENEY.



Phil is a friend of mine but he’s more than that. He was a mentor to me and helped me get started as a writer. I go into further detail about this on THE SIX GUN JUSTICE podcast where I’m interviewed by acclaimed author and podcaster PAUL BISHOP. Here’s a link to the podcast: https://sixgunjustice.buzzsprout.com/795466/10984559-six-gun-justice-podcast-episode-210-the-worldwide-west-tour-england-part-2?t=0

Here’s some of what I say on the podcast: ‘I have to credit a friend of mine called Phil Caveney… I went to a writing group he was running and he took me aside. He said ‘I think… you should become a writer. I think you’ve got talent’ … This was the first published author I’d ever met… he was successful. I gave him a lot of respect because he’d actually done it. He was a professional writer… what he was doing worked.’



Phil’s first novel, ‘THE SINS OF RACHEL ELLIS’ was published in 1977 and he produced a series of adult thrillers over the following decades. His first novel for younger readers, ‘SEBASTIAN DARKE: PRINCE OF FOOLS’ was released in 2007. Since then, he has concentrated on writing exclusively for younger readers. He also writes under the pseudonym DANNY WESTON. Danny's debut novel ‘THE PIPER’ won the Scottish Children's Book Award in 2016 and in 2018, ‘THE HAUNTING OF JESSOP RISE’ was shortlisted for the Scottish Teenage Book prize and nominated for a Carnegie Medal. 

STAND AND DELIVER is specifically pitched at Young Adult readers.

Here’s the blurb for STAND AND DELIVER:

‘THE ADVENTURES OF NED WATLING, AN ORPHAN AND HIGHWAYMAN’S ASSISTANT
Ned is like any other teenage boy: awkward, a little shy, and just trying to find his place in the world. The only difference? Ned also happens to be the assistant to the nation’s most feared highwayman, The Shadow . . .
Travel back to a time when highwaymen ruled the roads and follow Ned as he is reluctantly swept up into a whirlwind of adventure. Whilst escaping the grasps of the thief-takers, Ned soon finds himself stepping into his master’s shoes and an unwanted life of crime.
The pressure is building with new friends and enemies galore when Ned stumbles upon a long-infamous gem, The Bloodstone, which forces him to make an important choice. Can he ultimately escape this new threat and finally free himself from the grips of The Shadow?
A brand-new middle grade adventure from the author of Sebastian Darke, Philip Caveney.’

And here’s my four star review:

‘An exciting ride through the 18th Century underworld.

Essex, England c. 1735. 15-year-old Ned Watling only wants to make an honest living as a carpenter. But fate intrudes and Ned ends up as the assistant to Tom Gregory, aka ‘The Shadow,’ a notorious highwayman from whom no traveller in Epping Forest is safe. Ned wants to escape his life of crime but events keep forcing him deeper into the murky 18th Century underworld. He soon has a renowned ‘thief-taker’ and his wilful daughter on his trail. But when Ned inadvertently becomes the owner of ‘The Bloodstone,’ a fabulous jewel reputed to bring death and disaster to those who possess it, things take an even worse turn. Now he also has the sinister Lem Turner after him, a fearsome villain who will stoop to any means to recover this gem. An exciting, enjoyable romp with some nice touches of humour, counterbalanced by plenty of gritty action.’




I did some browsing on related matters, getting most of my information from Wikipedia.

The most famous historical highwayman was DICK TURPIN.

Briefly, Richard (Dick) Turpin was born at the Blue Bell Inn in Hempstead, Essex, in the east of England.  We don’t know his actual birthdate but he was baptised on 21 September 1705.


An artist’s depiction of the legendary Turpin (and the mythical Black Bess.)

Testimony from his trial in 1739 suggests that he had a rudimentary education and that in about 1725, he married ELIZABETH MILLINGTON. He worked as a butcher and innkeeper. Turpin may have started his life of crime in the early 1730s as a receiver of deer poached by a gang of thieves operating in the Royal Forest of Waltham.

By October 1734 this gang moved away from poaching, instead breaking into peoples’ houses in Essex and London. Turpin was now an actual participant in these raids. Some of them turned violent; in one a victim was cut around the face ‘in a barbarous manner’. A contemporary report said: ‘Five rogues entered the house of the Widow Shelley at Loughton in Essex, having pistols &c. and threatened to murder the old lady, if she would not tell them where her money lay… they threatened to lay her across the fire, if she did not instantly tell them.’ In another incident, the gang brutally beat a 70-year-old farmer and raped one of his maidservants.

In 1735 ‘The London Gazette’ described Turpin as a ‘fresh coloured man, very much marked with the small pox (in other words pock-marked,) about 26 years of age, about five feet nine inches high… wears a blue grey coat and a natural wig.’

This gang was eventually broken up by the authorities and Turpin turned to the crime he became most noted for – highway robbery. In 1735 and 1737 (he seems to have dropped out of sight in 1736) he robbed travellers and coaches in Essex (including in Epping Forest) and London. Mostly he worked with two other highwayman, including MATTHEW KING (then, and since, incorrectly identified as Tom King.) In April 1737 the authorities cornered this trio in Whitechapel, London. During the resulting mêlée, King was fatally wounded by gunfire; inconclusive reports suggest Turpin shot him by accident.


Epping Forest

After this, Turpin hid out in Epping Forest, where he was seen by THOMAS MORRIS, a servant of one of the Forest's Keepers. Turpin shot and killed Morris when, armed with pistols, Morris attempted to capture him. A reward of £200 (about £34,000 as of 2021) was offered for his capture and Turpin fled to Yorkshire, in the north of England. Calling himself John Palmer, he posed as a horse trader, and often hunted alongside local gentlemen.

Turpin stole several horses while operating under the pseudonym of Palmer. In September 1738 he was arrested for horse theft. By the wildest coincidence, a letter he wrote from his gaol in the city of York to his brother-in-law fell into the hands of an old school mate, who recognised the handwriting. This person travelled to York and identified Palmer as Turpin, receiving the £200 reward.  

On 7 April 1739, followed by his mourners, Turpin was taken through York by open cart to the gallows and hung. Reports say Turpin ‘behav'd himself with amazing assurance’, and ‘bow'd to the spectators as he passed.’

So why did this seemingly unsavoury character involved in the squalid underworld of the 18th Century – who was only briefly involved in highway robbery – become a legend? The main impetus behind the legend seems to be the story of a fabled ride from London to York that author WILLIAM HARRISON AINSWORTH included in his 1834 novel ‘Rookwood.’

In the novel Turpin completes a 200 mile overnight ride from London to York on his mare Black Bess, at the end of which the noble steed expires. The only problem with this story is - it never happened! Ainsworth may have been inspired by an episode recorded by DANIEL DEFOE in 1727. Defoe reports how, after committing a robbery in south-east England in 1676, WILLIAM NEVISON rode to York to establish an alibi. However, nobody claimed Nevison rode about 200 miles in less than a day, which is impossible. Nevertheless, Ainsworth's legend of the epic ride was repeated in later works transforming Turpin into ‘a gentleman of the road [and] a protector of the weak’, (for which there is no evidence.)

I also think Turpin may have become a legend by dint of having such a memorable name!

Phil Caveney also tells me one of his characters was inspired by JACK SHEPPARD (1702 – 1724.)  No time to look at Sheppard in detail. Very briefly, he wasn’t a highwayman, but a thief and burglar operating in 1720s London. He became a notorious public figure, wildly popular with the poorer classes, after escaping no less than four times from prison. (His short stature and slight build helped him escape.) STAND AND DELIVER also features a daring attempt at an escape from custody.


JACK SHEPPARD sketched in 1723

Arrested a fifth time, Sheppard, like Turpin, ended his short life on the gallows.

Turpin (usually in romanticised form) has continued to be featured in novels, plays and film. Although there were silent films about him, I’m not aware of any Turpin biopic in the sound era, which is surprising; I would have thought Disney, who, in the 50s, were plundering British legend for biopics of Robin Hood and Rob Roy, would have found Turpin (the legendary figure not the real one) a good subject to tackle. (I’m not counting SID JAMES performance as Turpin in one of the ‘Carry On’ films!)


I vaguely remember a British TV series ‘Dick Turpin’ which ran from 1979 – 1982, with RICHARD O’SULLIVAN.


Jack Sheppard went on to inspire the character of MaCHEATH, in JOHN GAY’s ‘The Beggar’s Opera’ (1728.) FRANK and JESSE JAMES must have been admirers as they wrote letters to the Kansas City Star signed ‘Jack Sheppard.’

TOMMY STEELE played him in the 1969 film ‘Where’s Jack?’



BTW, there are recorded instances of 18th Century highwaymen actually calling ‘Stand and Deliver’!

Find STAND AND DELIVER here: https://www.amazon.com/Stand-Deliver-Philip-Cavaney-ebook/dp/B0BJQ4DPZC/ref=sr_1_fkmr0_1?crid=34E8SP60W75K1&keywords=stand+and+deliver+philip+caveney&qid=1683688883&s=books&sprefix=stand+and+deliver+philip+caveney%2Cstripbooks-intl-ship%2C221&sr=1-1-fkmr0